Category Archives: Exhibitions

Artist Talk with Æsa Björk and Anne Petters

Welcome to S12´s last Artist talk hosted in Skostredet 12. At this event we will present two outstanding artists who work with glass in a way rarely to be seen in Norway.

Æsa Björk and Anne Petters both challenge the boundaries of glass as a material in combination with other media such as video, sound and light.
Æsa Björk’s exhibition “Shield II” can be seen in S12’s gallery where Anne Petters also will present some results from her period as Artist in Residence in S12.

The presentations will be held on Saturday, April 14th. 2:00 p.m.
The event is free, coffee and tea will be served.

Æsa Björk (Iceland) graduated from Edinburgh College of Art, with a BA (Hons) in 1995 and  MDes in 1997. Early on in her career she focused on glass as a sculptural material which led her to the Academy of Arts, Architecture and Design in Prague – Umprum  as an exchange student in the studio of Vladimir Kopecky. The stay in Prague had a strong influence on her work, which continues to explore the conceptual and sculptural possibilities of glass, often in combination with other media and materials. She has been an Artist in Residence at the Pilchuck Glass School (EAiR), the Corning Museum of Glass and the sculpture department at NYSCC Alfred University USA 2011-2014, where she also taught. Her work has been shown internationally and is included in the collections of KODE Art Museums in Bergen and the National Museum in Oslo. The body is a constantly recurring theme in her art, which consists of both sculpture and installations. She often works with bold and poetic glass sculptures that incorporate both photo and video. She currently lives and works in Bergen where she is an artistic advisor for S12 Open access studio and Gallery, which she established in 2007. S12 has since grown to become an internationally renowned glass art institution.
www.aesabjork.net

Anne Petters is a multi media artist with a strong background in glass. She received a Diploma in Fine Arts from the Institute for Ceramics and Glass Art, Hoehr-Grenzhausen, Germany and a MFA in Sculpture/ Glass from Alfred University, New York. Born in Dresden in 1978 she grew up in the German Democratic Republic. She understands the political change in her country, which she experienced as a displacement of reality, as a basic influence on her lifestyle and artistic work. Her interest in controlling and displaying moments of our fleeting, vulnerable existence leads her to a poetic, metaphoric use of glass and other materials, including natural phenomena.  Anne Petters has been awarded numerous artist residencies, including a fellowship at Wheaton Arts New Jersey in 2012, a residency at the Edinburgh College of Art 2013-2014, the Emerging Artists in Residence at the Pilchuck Glass School, Washington and a visiting scholar residency at the Southern Illinois University. In 2014 Anne Petters received the prestigious Queen Elizabeth Scholarship Trust (QEST) Scholarship for excellence in British Craft, London, GB. She taught as Visiting Lecturer at the Royal College of Art and is currently leading the glass studio at the City and Guilds of London Art School.
www.annepetters.com

SHIELD II

Welcome to the opening of the exhibition SHIELD II

Vernissage, Saturday February 24th at 7 pm
Opening hours: Wed-Sun 12 – 5 pm
Exhibition is open until March 24th

The exhibition is a continuation of a collaboration between visual artist Æsa Björk and musician Tinna Thorsteinsdóttir.

By mapping brain activity with EEG recordings, Æsa and Tinna set out to interpret the border between an intangible emotional state and the physical manifestation of brain activity. The EEG recordings were transformed into sound waves. The fragile glass shields serve both as canvases depicting the physical movements that took place, as well as soundboards for brain activity triggered by emotional responses and movement. The sound manifests itself as vibrations created by the conductive speakers attached to the glass. By forming a chamber of human proportions the glass shields can be seen as a membrane separating the self from the outside while reflecting an inner reality which often remains invisible.

The first edition of the installation Shield was exhibited for the first time during European Glass Context 2016, at the Bornholm Art Museum in Denmark.

 

Æsa Björk born in Reykjavík, Iceland graduated from the Edinburgh College of Art with a BA (Hons) 1995 and MDes 1997 and in 1994, she studied at VSUP in Prague with Vladímir Kopecky. In 2005 she co-founded S12 Studio and Gallery in Norway (www.s12.no) where she currently serves as artistic advisor. From 2011-2014 she held a 3 year position as a visiting artist and faculty at the School of Art and Design, Sculpture/ Dimensional Studies, NYSCC Alfred University, U.S.A. Her work has been shown internationally and is part of the collections of KODE Art Museums in Bergen and the National Museum in Oslo, Norway.

www.aesabjork.net

 

Tinna Thorsteinsdottir born in Reykjavik, Iceland, she studied in Hannover and Münster in Germany before continuing her studies at the New England Conservatory of Music in Boston with Stephen Drury. She has a broad experience with new music and has premiered around 80 piano works especially written for her in recent years. Tinna has performed internationally, both as a soloist and a chamber musician. During recent years she has collaborated with several visual artists including creating interactive sound- and performance works with the glass artist Alli Hoag.

Tinna is one of the artistic directors of CYCLE Music and Art Festival in Iceland.

www.annit.is

 

Impermafrost (2017) Angela Davies

Impermafrost is a solo exhibition in succession of a residency programme the artist engaged in at S12 Galleri.

Impermafrost is an audiovisual installation that seeks to encourage reflection on environmental dialogues. The alchemy of glass through the transformative qualities of heat and light allow for connections alluding to ice forms and processes of climate change. The light installation is animated through responsive coding creating projections of the glass embodiments. The cyclical illumination of the works is informed by the shifting states of Arctic sea ice.

Angela Davies is an interdisciplinary artist based in Wales, working across the intersections of art, science, technology and nature. Her work engages with contemporary themes within the context of site, space and process. The works interaction allows for intimate experiences that encourage altered perceptions between inner and outer space. This extends to reflections upon the way the environment is experienced and imagined. Davies draws upon a hybrid of traditional disciplines alongside creative technologies to create interactive eco-light sculptures and installation.

Angela is the Co-Director of Studio MADE, a cross-disciplinary studio and gallery space in Denbigh and is a resident artist at Pervasive Media Studio, Bristol. She has exhibited on an international level and has work within public and private collections in the UK, Europe and the USA. She has been the recipient of several awards, most recently she was granted the Impact Acceleration Account Award from the Economic and Social Research Council. The award allows her  to work with a Scientist at Bangor University to develop research in relation to human induced climate change. Davies completed her MA with Distinction at Manchester School of Art in 2013. www.angeladaviesartist.co.uk

Technology collaboration with Chris Ball
With thanks to the Department of Physics and Technology and the Department of Chemistry at the University of Bergen for their support.

In collaboration with PIKSEL2017

Vernissage November 17th at 7 pm
Artist talk Saturday 18th of November at 2 pm.
Exhibition is open until December 22nd
Opening hours: Wed-Sun 12:00-5 pm.

 

 

Young & Loving!

Vernissage Friday 6th of October at 7 pm!

Welcome to the opening of Young & Loving! an exhibition with a personal and social political tone.

Young & Loving! Is a humorous translation of “young and promising”, pointing to the exhibition’s focus on newly graduated artists. An exploratory approach to glass as part of an artistic expression is a particular feature of the exhibition concept, which was developed by S12 in 2007.

This year’s artists are Elizabeth Cote (US), Ito Laïla Le François (CA), Adéla Lakomá (CZ),  Alexandra Muresan (RO), Leana Quade (US) and Nate Ricciuto (US).

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Elizabeth Cote´s sculptures show the mind metaphorically in the states of depression, mania, and balance. The detailed cast glass allows a viewing similar to the way one might look at a picture book, searching for the details of the story which are all packed into a single image.

Through Ito Laïla Le François’s installation we are confronted with the negative impact we humans have on the earth and the sea, and the artist’s sense of powerlessness in her attempt to contribute to change. Le François’s work addresses topics such as boat refugees, overfishing, oil spill and problems related to our use of plastic.

Adéla Lakomá deals in her work with her family tradition of agriculture. Through her artistic focus and in her works, she breaks with a tradition that has been in her family for generations. In her art, she creates objects inspired by agriculture   and thus, keeps the family tradition alive in her own expressive way.

Alexandra Muresan combines glass with metal meshes and objects, renewing the old technique of glass making and demonstrating the glass’s modernity. She is showing two works, where one is called  “Don’t push me …” – a reflection of the way we push nature and our environment towards breaking point through invasive industrial behavior.

Leana Quade utilizes glass in a surrealistic sense that invites the viewers to question the material and what they are seeing. She seeks to provide the viewer with an opportunity to perceive glass in a new way and think again about how it acts, moves and functions. The goal is to inspire curiosity by revealing the mystical properties of glass and to shed new light on the surprising characteristics and capabilities of glass as an artistic material.

Nate Ricciuto´s work combines material and historical concerns in considering the ways that optical devices and technology have utilized glass and ultimately shaped how we perceive the world and understand our place in it. In many of his works, he constructs living systems and absurd objects that simultaneously embrace and question our innate curiosity and stubborn artificiality.

Open until 5t of November

New exhibition by Justin Ginsberg

Considerations and Ants is showing the work of Justin Ginsberg who has been an artist in resident in S12 this summer. The exhibition presents a comforting and discomforting domestic-like environment, in which objects, drawings, videos, and installations reflect the instabilities and insecurities of our existence.

Ginsberg questions the way we humans act, while taking a closer look at our desire and need to control our lives and our surroundings.

While the home operates as a place of protection and comfortability, it becomes a place in which we enslave ourselves through the effort to obtain, maintain, and care for it – through hard work, sacrifice, upkeep, cleaning, and decorating. Ginsberg sees the home as a type of trap in which we contain ourselves, our belongings, and our lives. You own the house and the house owns you.

Ginsberg challenges the perceived boundaries of material and the presumed nature of things, relying on metaphor and gesture to express his interest into the systems and structures we use for understanding the world around us – bringing context to the unknown and chaotic. He pushes both material and idea to extremes, constantly attempting to challenge the definitions that categorize the world. Often, through the accumulation of the smaller individual parts, his work utilizes materiality, to investigate the relationship between parts to a whole. He is interested in this collective gesture, achieved through tedious constructions, exploiting the aesthetic qualities of the material.

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Born and raised in Dallas, Texas, Justin Ginsberg spent eight years traveling the country, learning from practicing artists before returning to his home city.  He began working for the Art and Art History Department at the University of Texas of Arlington in 2009, while pursuing his Masters in Fine Art Degree there. Today he is the head of the glass area and an Assistant Professor of Practice at the same University, while also pursuing his own creative practice and research. Ginsberg shows his work nationally and internationally, and he has been included into New Glass Review five out of the last six years. His work has been bought by institutions such as Kunstpalast Museum in Düsseldorf, Tacoma Museum of Glass, and The Museum of American Glass.

 

Exhibition: RAGING DREAMS over the horizon by Baptiste Debombourg

Baptiste invitation picture

RAGING DREAMS over the horizon

Baptiste Debombourg 19.05-16.07.17

 

S12 Open Access Studio and Gallery celebrated its 10th anniversary with the opening of the exhibition RAGING DREAMS over the horizon by the French artist Baptiste Debombourg.

Debombourg has received international acclaim for his monumental installations. Waves of broken glass breaking into and flooding rooms and structures, taking over and transforming buildings and areas. The work can be experienced as both threatening and beautiful as the artist both destroys and rebuilds. The broken and reconstructed material conveys many stories and is often interpreted as a critique of the world we live in – of consumerism or a world in the process of falling apart.

In S12’s Gallery Baptiste Debombourg has made a new installation– Raging Dreams where the energy and power of dreams is a central theme, and where the main material is laminated glass. Debombourg does work with a variety of materials and techniques, but prefers to use materials we are surrounded with in our daily life. In this installation, the remodeled sheets of broken laminated glass, remind us of the destructive abilities of natural forces, as they take over the the gallery, parallel with the silhouette horizon in the background. Through his unique and eye catching artwork he makes the viewer experience his/hers surroundings in a new and unexpected way.

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Baptiste Debombourg is an innovative artist who pushes boundaries, explores various media and collaborates with artists from other fields, be it artists, architects or fashion designers. He lives and works in Paris. Debombourg has studied sculpture at Ecole Nationale des Beaux-Arts in Lyon and did his post-graduate work at Ecole Nationale Supérieure des Beaux-Arts in Paris. In France he is one of the most outstanding artists of his generation with numerous public presentations at home and abroad to his merit. He has built installations in cities such as Paris, Strasbourgh, Miami, Québec and Sarajevo, and will in May ´17 present a new public installation in Le Havre on the occasion of the city’s 500th anniversary.

EXHIBITION: Battle Cry by Emma Woffenden

invitasjon Battle Cry

31.03.17- 07.05.17 – Vernissage Friday 31st of March at 7 pm.

Welcome to the opening of the exhibition “Battle Cry” by Emma Woffenden – one of Britain’s leading and most innovative glass artists. With her unconventional approach to the material she has paved the way for a generation of artists working in conceptual glass. This is the first time Woffenden is showing her work in Norway.

Using a wide range of complex glass and mixed media techniques Woffenden investigates the more intangible conditions of existence such as sensations, feelings and awareness. Her sculptures are partly abstract and at times surreal. Figures put together by different parts and materials almost remind us of a mixture between human, animal and machine. By implying incidents that have just happened or are about to unfold she opens up for questions and creates an unnerving atmosphere in her installations.

Six of the works presented are taken from the exhibition “Play-Fight”, at Masden Woo Gallery in London, and have been adapted for the new installation at S12. Together with work such as Tight Rope, On Bended Knee and Falling Hard, which were made in the last two years, the exhibition is one new work

Emma Woffenden studied glass at The Royal College of Art, London and West Surrey College of Art and Design, Farnham. Her work is represented in public international collections such as Victoria & Albert Museum, Ernsting Glass Museum, Ebeltoft Glass Museum and The National Museum of Scotland. Her award-winning design for Transglass can also be found in the collections of Corning Museum of Glass and Museum of Modern Art (MOMA).  From 2013-16 Woffenden was the Artistic Director for the North Lands Creative Glass in Scotland, an important international resource centre for the study and development of glass as an artform. http://emmawoffenden.com

Anne Britt Ylvisåker will be opening the exhibition

Woffenden are giving an artist talk Saturday 1st of April at 2 pm.

Glassyke. Tre behandlingsstrategier

Björn och Peter H i hyttan
Björn Friborg at work. Photo: Hans Runesson

 

Welcome to the opening of “Glassyke. Tre behandlingsstrategier”
(Glass disease. Three Treatment Strategies). Friday the 17th of February at 7pm.

Glass disease makes glass turn into dust due to a chemical error in the composition. A different type of glass disease is the condition wherein many glass artists finds themselves when they start to master the art of glassblowing. It’s not easily cured, the glass is too seductive. But some find a way out:

In Ammy Olofsson’s work craft and technology meet to investigate our self-perception in various contexts. Even if she is trained as a glassmaker her technique comes secondary in her expression. The glass plays different parts and she herself plays the part of the mad scientist constructing glass sculptures that also work as computers.

Bjørn Friborg’s pieces are big and masculine, but free from cleverness, beauty and mastery. The glass bodies are black and organic and on the verge of collapse, penetrated by glass tubes. The glass has been abused and tortured by a man at war with the material.

In Simon Klenell’s work we sense decades of glass history, but unsettling twists confuses us. The cut crystal has been reheated, stretched and bent, hot glass has been added, let to flow freely over the surface. Something is out of tune, control and order but strikingly beautiful and surprising.

The exhibition is curated by Vidar Koksvik as part of his MA in curatorial practices. His project aims to direct attention to the fact that Norway does not offer an education in glass art.

The exhibition is open until March 19th
Opening hours Wednesday-Sunday 12-17

 

YOUNG & LOVING!

invitasjon-yong-and-loving
Vernissage  September 23rd at 7 p.m.

Observations of different phenomenon and conditions may be highlighted as a characteristic feature of this 10th edition of Young & Loving! Where wearable art, digitalised crafts and kinetic sculptures are presented.

Young & Loving! Is a humorous translation of “young and promising”, pointing to the exhibition’s focus on newly graduated artists. An exploratory approach to glass as part of an artistic expression is a particular feature of the exhibition concept, which was developed by S12 in 2007.

The artists participating are: Verena Schatz (Austria), Margarida Alves (Portugal), Madisyn Zable (Australia), Bryan Kekst Brown (USA), Erek Nass (USA) and Patricia Sichmanova (Slovakia).

Time and change are central in the works of Verena Schatz and Bryan Brown. Schatz is fascinated by transformational processes. In the pieces showing in S12, she has investigated the soft and fluid state of glass. The result is dynamic sculptures which imply the freezing of time and of movement. Brown on the other hand investigates how we understand matter and time through a series of “wearables”. Each work is in the process of undergoing a physical or chemical change. When placed on the body, the wearer becomes an active participant in the process, through exposure to body heat, oxygen, and conductivity.

Madisyn Zabel combines traditional craft techniques and digital technology to create installations, where she examines spatial relationships between three-dimensional objects and their twodimensional representations. Handmade objects are rendered in CAD to view them from different perspectives. Reimagining the internal structure of the cast glass form, she creates string drawings that project the implied shadow of the object into space. Her work has a strong geometrical foundation, which we also see in the abstract and minimalistic object of Patricia Sichmanova who most times are inspired by nature and mathematics. A desire to capture the movements of real life is the base for Sichmanovas kinetic sculptures, which like water, can be put in motion by a small wind or the slightest touch.

Erek Nass experiments with the materials of light and water. The studies of these materials often begin with making digital photographs and videos of natural phenomena. Around these images, three-dimensional installations are constructed. The installations strive to transform the subject at hand into another means of expression. What might have been a micro-moment shifts with emphasized focus. Impermanence and the variables of perception are two central concepts in Nass’s work.

Subjects concerning existentialism, such as the phenomena of our being, alterity, origin are always present in the work of Margarida Alves. In Young & Loving! She will be showing the work “Mediterranean tales from underneath the sea”, which searches for a poetic approach to the human condition.

Verena Schatz and Margarida Alves are both showing new pieces created during their residency in S12.