The gallery will be closed until our new exhibition opens the 17th of February. The workshop is open Monday-Friday from 12:00 -17:00.
Vi har åpnet FUNN -en salgsutstilling med kunst og design fra vår egen samling. De fleste arbeidene er laget i S12 og donert til oss av kunstnere som har deltatt i vår unike gjestekunstnerordning. Her finner du alt fra skulpturer og glassbilder til drikkeglass og julekuler. Til den ekstra kreative tilbyr vi gavekort på glassblåsing.
De gode julegavene får du i S12!
Vi har åpent onsdag – søndag 12-17
Alt salg går uavkortet til driften av vårt gjestekunstnerprogram.
Vernissage September 23rd at 7 p.m.
Observations of different phenomenon and conditions may be highlighted as a characteristic feature of this 10th edition of Young & Loving! Where wearable art, digitalised crafts and kinetic sculptures are presented.
Young & Loving! Is a humorous translation of “young and promising”, pointing to the exhibition’s focus on newly graduated artists. An exploratory approach to glass as part of an artistic expression is a particular feature of the exhibition concept, which was developed by S12 in 2007.
The artists participating are: Verena Schatz (Austria), Margarida Alves (Portugal), Madisyn Zable (Australia), Bryan Kekst Brown (USA), Erek Nass (USA) and Patricia Sichmanova (Slovakia).
Time and change are central in the works of Verena Schatz and Bryan Brown. Schatz is fascinated by transformational processes. In the pieces showing in S12, she has investigated the soft and fluid state of glass. The result is dynamic sculptures which imply the freezing of time and of movement. Brown on the other hand investigates how we understand matter and time through a series of “wearables”. Each work is in the process of undergoing a physical or chemical change. When placed on the body, the wearer becomes an active participant in the process, through exposure to body heat, oxygen, and conductivity.
Madisyn Zabel combines traditional craft techniques and digital technology to create installations, where she examines spatial relationships between three-dimensional objects and their twodimensional representations. Handmade objects are rendered in CAD to view them from different perspectives. Reimagining the internal structure of the cast glass form, she creates string drawings that project the implied shadow of the object into space. Her work has a strong geometrical foundation, which we also see in the abstract and minimalistic object of Patricia Sichmanova who most times are inspired by nature and mathematics. A desire to capture the movements of real life is the base for Sichmanovas kinetic sculptures, which like water, can be put in motion by a small wind or the slightest touch.
Erek Nass experiments with the materials of light and water. The studies of these materials often begin with making digital photographs and videos of natural phenomena. Around these images, three-dimensional installations are constructed. The installations strive to transform the subject at hand into another means of expression. What might have been a micro-moment shifts with emphasized focus. Impermanence and the variables of perception are two central concepts in Nass’s work.
Subjects concerning existentialism, such as the phenomena of our being, alterity, origin are always present in the work of Margarida Alves. In Young & Loving! She will be showing the work “Mediterranean tales from underneath the sea”, which searches for a poetic approach to the human condition.
Verena Schatz and Margarida Alves are both showing new pieces created during their residency in S12.
In this solo exhibition we´ll get to know the unique and distinctive glass paintings of the internationally renowned artist Palo Macho (b. 1965, Slovakia).
Palo Macho is one of the most original contemporary glass artists in Slovakia, known for his innovative approach to glass. His artistic expression and technique differs from the Slovak glass school where glass objects perfectly cut in to geometric shapes with optical qualities are central. As both a painter and a glassmaker he is expanding the limits of the two disciplines.
The paintings of Palo Macho differ in many ways from the traditional glass painting and two-dimensional paintings in general. Macho creates abstract and lyric paintings where he shapes and molds the surface as well as the inner layers of the glass. By mixing transparent and opaque glass and dividing the surface into matte and translucent areas he creates an interesting and vibrant expression which changes according to the light it is exposed to. His pictures or “picture objects” as some call them, are reversible and can be experienced from multiple angles. By assembling together several layers of painted and processed sheet glass he achieves depth and inner space in his work.
Despite the fact that most of his pictures do not have a recognizable narrative, some of his pictures may be perceived as particularly scenic – and thus give the spectator the opportunity to attribute their own stories. Since we are not given descriptive titles, we are left to trust our own aesthetic experience when interpreting the work.
Palo Macho began working with glass in 1980 at the Secondary School of Applied Arts of Glass in former Czechoslovakia where he studied until 1986. Beginning in 1989, he continued his studies in glass at the Academy of Fine Arts and Design in Bratislava, Slovakia, under Juraj Gavula, a glass artist noted for his contemporary mixed-media works. Macho also has a background in painting and design that has influenced his glass art. He studied painting and fine arts in 1993, at the École des Beaux Arts in St. Etienne, France. Today he works as an assist. Professor at the Academy of Fine Arts and Design in Bratislava. Macho has shown his work in various European countries, Japan and USA. This is his first solo exhibition in Norway.
Vernissage 12th of August at 7 pm
The exhibition-concept HANSEartWORKS is arranged for the 10th time in 2016 as part of the 36th International Hanseatic days in Bergen.
HANSEartWORKS 2016 is hosted by three main venues, S12 Galleri og Verksted, KRAFT Rom for Kunsthåndverk, and the city hall from the 10th of June until the 31rst of July 2016. One of the works will in addition be shown at several outside venues, starting at Fredriksberg Festning for the Hanseatic weekend.
The exhibition is focusing on the balance between artistic freedom and constraint.
Rules both written and unwritten play important roles in our daily lives as well as in the way which we approach materials, tradition and the creative process. Igor Stravinsky once said: “my freedom will be so much greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles.” (Poetics of Music in the form of six Lessons, Harvard University Press 1942). As a symbol of trade, regulations and artistic opportunity artists and designers of all disciplines from the Hanseatic cities has been invited to submit work that focuses on the craft and the material while at the same time fitting perfectly the constraining format of a EUR-pallet on which it is both shipped and displayed.
Participating Hanseatic cities with artists:
Alar Raudoja ”Leonardo”, Pärnu
Yvonne Habbe, Visby
Matiass Jansons , Cesis
Amit Goffer, Neuss
Trine Hovden, Bergen
Barbara Lorenz Höfer, Buxtehode
Lucie Marsmann, Herford
Filip Ignatowich, Gdansk
Marijke Schellekens, Doesburg
Hans Gerd Rehpenning, Stade
Uwe Schloen, Buxtehude
Eva Preckwinkel, Onsnabrück
”Art Cube” – Marcus Shramm, Astrid Brünner, Greifswaldt
Manfred Feith-Umbehr, Lippstadt
Janno Bergmann, Pärnu
Marit Tunestveit Dyre, Bergen
June 11th at 2pm in S12.
Janno Bergmann, Amit Goffer, Marit Tunestveit Dyre, Filip Ignatowich, Matiass Jansons and Marcus Shramm.
The exhibition is curated by Martin Woll Godal and Æsa Björk on behalf of the city of Bergen.
The opening found place Friday the 10th of June as follows:
18:00 Opening Rådhusgalleriet
18:30 Opening S12
19:00 Opening KRAFT
19:40 Opening Fredriksberg
S12 Galleri og Verksted inviterer til kurs for viderekommende i glassblåsing.
Tema: Elastisitet- gi slipp og ta kontroll!
Vi vil repetere grunnprinsippene i glassblåsing fra innføringskurset og bygge videre på disse med å lage en unik form som vi skal blåse glass inn i. Formen vil du som kursdeltager lage selv med kobbertråd. Det blir laget to objekter som dere kan ta med hjem.
Maks 6 deltakere pr kurs.
Varighet: 3 timer
Tid: onsdag 29. juni kl.17-20
Pris: kr 700
Krav: innføringskurs i glassblåsing. Kurset passer for voksne over 18 år.
Påmelding sendes til post(att)s12.no
Vi tar forbehold om avlysning dersom kurset ikke skulle bli fulltegnet. Påmeldingen er bindende.
During the last months our workshop, project room and gallery has been filled with new experiments by Rui Sasaki (b. 1984, jp) who has used her time as an artist in residence in S12 to investigate the relationship between the weather – with emphasis on rain, and herself.
Sasaki is a conceptual artist who mainly works with transparent materials such as glass and ice. She is using glass as a medium for preservation and documentation of different kind of ”weather residues”, and is seeking, among other, ways to conserve, visualize and move sunlight from one place to another. This has led her to investigate self-illuminating glass that absorbs UV light such as sunshine and emits it in the dark without any light resources.
In the exhibition, PLUVIOPHILE (a lover of rain), an installation of self-illuminating glass is shown, while the theme of rain is central. Sasaki is interested in people’s relationship to the rain and how this weather phenomena influences us physically, mentally and culturally. Sasaki has captured, collected and frozen the Bergen rain in hot casted glass sculptures. In her own unique way, she has moved the weather indoors, made it more manageable and partially eliminated its ephemeral sides. The weather has become something physical she can study, shape and control.
Rui Sasakis main investigation is cast glass in a space, but she also works with the body, performance, video and photography. Sasaki graduated from Rhode Island School of Design in June 2010 with a Master of Fine Arts in Glass. She has taught glass and contemporary art at Rhode Island School of Design, Worcester State University in the US, and Kyoto University of Art and Design in Japan. She has been invited to many Artist in Residence programs around the world, and her work has been exhibited in Denmark, Italy, Greece, Norway, Sweden, Belgium, Australia, Korea, Japan, and a number of places in the US. Her work is part of the permanent collections at the Museum of American Glass (US), Glasmuseet Ebeltoft (DK), the Ernsting Stiftung (DE), the city of Lommel (BE) and many private collections. Sasaki is living and working in Toyama, Japan.
This is the second time S12 is showing work by Rui Sasaki. The first time was in 2013 as part of the group exhibition Young & Loving!
Vernissage May 20 at 7 pm.
Rui Sasaki is an Artist in Residence at S12 during April & May. She is a Japanese conceptual artist mainly using transparent materials such as glass and ice in her work. In S12 she will be investigating the weather – including the rain, local plants, architecture and space – empty spaces, intimate spaces, abandoned spaces.
During the first part of her stay, she will be creating new works and showing them as they come to being – be they ready or not. She will be inviting the visitor to come close and to follow the process of creating new works, to the experimentation with the material and its form. The visitor will be invited to follow her till the end, or until the official opening of her processed based exhibition/installation PLUVIOPHILE on the 20th of May. The opening will mark the second phase of her stay in S12.
This is the second time S12 presents works by Rui Sasaki, the first time was during the exhibition Young & Loving! in 2013.
De tre første torsdagene i april (7. 14. 21.) inviterer vi til introduksjonskurs i glassblåsing, hvor deltakerne får et innblikk i grunnprinsippene innen arbeid med varmt glass. Hver deltaker vil få nærkontakt med materialet og oppleve hvordan man med pust, verktøy og tyngdekraften gradvis kan forme den glødende massen til et solid men likevel skjørt objekt. Målet er at alle skal få prøve å lage sitt eget glass. Det vil bli gitt god veiledning, så ingen tidligere erfaring er nødvendig. Kurset passer for voksne over 18 år.
Maks 4 deltakere pr. kurs
Varighet: ca. 2 timer. Fra kl. 18:00
Kr 500 pr. pers.
Påmelding med ønsket dag sendes til firstname.lastname@example.org
Vi tar forbehold om avlysning dersom kursene ikke blir fulltegnet.
The exhibition BRYTNINGER is opening Friday the 5th of February at 07.oo p.m. Four artists with different backgrounds (art/research/science) are presenting work where the interaction between light and glass are important factors. By using neon or natural light, old Murano techniques or new technologies Anna-Lea Kopperi, Enrico Tommaso De Paris, Alan Jaras and Robert Wiley are making the gallery come to live with interesting light-experiments.
The exhibition is made in collaboration with Venice Art Factory and is curated by Bjørn I. Follevaag, Francesca Giubilei and Bergljot Jonsdottir.