Work in S12

S12 Is looking for a Workshop Manager to join its team for a minimum of one year, starting May/June 2018.

Established in 2007, S12 is the only centre for exploration, experimentation and dissemination of contemporary glass art in Norway.

The main focus of S12’s activities is characterized by artistic quality, exploration and experimentation in its approach to glass. The candidate will be joining a small team of professionals where everyone has the opportunity to initiate new projects and participate in the development of S12.

For more information see:
S12 Workshop Manager
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Impermafrost (2017) Angela Davies

Impermafrost is a solo exhibition in succession of a residency programme the artist engaged in at S12 Galleri.

Impermafrost is an audiovisual installation that seeks to encourage reflection on environmental dialogues. The alchemy of glass through the transformative qualities of heat and light allow for connections alluding to ice forms and processes of climate change. The light installation is animated through responsive coding creating projections of the glass embodiments. The cyclical illumination of the works is informed by the shifting states of Arctic sea ice.

Angela Davies is an interdisciplinary artist based in Wales, working across the intersections of art, science, technology and nature. Her work engages with contemporary themes within the context of site, space and process. The works interaction allows for intimate experiences that encourage altered perceptions between inner and outer space. This extends to reflections upon the way the environment is experienced and imagined. Davies draws upon a hybrid of traditional disciplines alongside creative technologies to create interactive eco-light sculptures and installation.

Angela is the Co-Director of Studio MADE, a cross-disciplinary studio and gallery space in Denbigh and is a resident artist at Pervasive Media Studio, Bristol. She has exhibited on an international level and has work within public and private collections in the UK, Europe and the USA. She has been the recipient of several awards, most recently she was granted the Impact Acceleration Account Award from the Economic and Social Research Council. The award allows her  to work with a Scientist at Bangor University to develop research in relation to human induced climate change. Davies completed her MA with Distinction at Manchester School of Art in 2013.

Technology collaboration with Chris Ball
With thanks to the Department of Physics and Technology and the Department of Chemistry at the University of Bergen for their support.

In collaboration with PIKSEL2017

Vernissage November 17th at 7 pm
Artist talk Saturday 18th of November at 2 pm.
Exhibition is open until December 22nd
Opening hours: Wed-Sun 12:00-5 pm.



Young & Loving!

Vernissage Friday 6th of October at 7 pm!

Welcome to the opening of Young & Loving! an exhibition with a personal and social political tone.

Young & Loving! Is a humorous translation of “young and promising”, pointing to the exhibition’s focus on newly graduated artists. An exploratory approach to glass as part of an artistic expression is a particular feature of the exhibition concept, which was developed by S12 in 2007.

This year’s artists are Elizabeth Cote (US), Ito Laïla Le François (CA), Adéla Lakomá (CZ),  Alexandra Muresan (RO), Leana Quade (US) and Nate Ricciuto (US).


Elizabeth Cote´s sculptures show the mind metaphorically in the states of depression, mania, and balance. The detailed cast glass allows a viewing similar to the way one might look at a picture book, searching for the details of the story which are all packed into a single image.

Through Ito Laïla Le François’s installation we are confronted with the negative impact we humans have on the earth and the sea, and the artist’s sense of powerlessness in her attempt to contribute to change. Le François’s work addresses topics such as boat refugees, overfishing, oil spill and problems related to our use of plastic.

Adéla Lakomá deals in her work with her family tradition of agriculture. Through her artistic focus and in her works, she breaks with a tradition that has been in her family for generations. In her art, she creates objects inspired by agriculture   and thus, keeps the family tradition alive in her own expressive way.

Alexandra Muresan combines glass with metal meshes and objects, renewing the old technique of glass making and demonstrating the glass’s modernity. She is showing two works, where one is called  “Don’t push me …” – a reflection of the way we push nature and our environment towards breaking point through invasive industrial behavior.

Leana Quade utilizes glass in a surrealistic sense that invites the viewers to question the material and what they are seeing. She seeks to provide the viewer with an opportunity to perceive glass in a new way and think again about how it acts, moves and functions. The goal is to inspire curiosity by revealing the mystical properties of glass and to shed new light on the surprising characteristics and capabilities of glass as an artistic material.

Nate Ricciuto´s work combines material and historical concerns in considering the ways that optical devices and technology have utilized glass and ultimately shaped how we perceive the world and understand our place in it. In many of his works, he constructs living systems and absurd objects that simultaneously embrace and question our innate curiosity and stubborn artificiality.

Open until 5t of November

New exhibition by Justin Ginsberg

Considerations and Ants is showing the work of Justin Ginsberg who has been an artist in resident in S12 this summer. The exhibition presents a comforting and discomforting domestic-like environment, in which objects, drawings, videos, and installations reflect the instabilities and insecurities of our existence.

Ginsberg questions the way we humans act, while taking a closer look at our desire and need to control our lives and our surroundings.

While the home operates as a place of protection and comfortability, it becomes a place in which we enslave ourselves through the effort to obtain, maintain, and care for it – through hard work, sacrifice, upkeep, cleaning, and decorating. Ginsberg sees the home as a type of trap in which we contain ourselves, our belongings, and our lives. You own the house and the house owns you.

Ginsberg challenges the perceived boundaries of material and the presumed nature of things, relying on metaphor and gesture to express his interest into the systems and structures we use for understanding the world around us – bringing context to the unknown and chaotic. He pushes both material and idea to extremes, constantly attempting to challenge the definitions that categorize the world. Often, through the accumulation of the smaller individual parts, his work utilizes materiality, to investigate the relationship between parts to a whole. He is interested in this collective gesture, achieved through tedious constructions, exploiting the aesthetic qualities of the material.


Born and raised in Dallas, Texas, Justin Ginsberg spent eight years traveling the country, learning from practicing artists before returning to his home city.  He began working for the Art and Art History Department at the University of Texas of Arlington in 2009, while pursuing his Masters in Fine Art Degree there. Today he is the head of the glass area and an Assistant Professor of Practice at the same University, while also pursuing his own creative practice and research. Ginsberg shows his work nationally and internationally, and he has been included into New Glass Review five out of the last six years. His work has been bought by institutions such as Kunstpalast Museum in Düsseldorf, Tacoma Museum of Glass, and The Museum of American Glass.


Exhibition: RAGING DREAMS over the horizon by Baptiste Debombourg

Baptiste invitation picture

RAGING DREAMS over the horizon

Baptiste Debombourg 19.05-16.07.17


S12 Open Access Studio and Gallery celebrated its 10th anniversary with the opening of the exhibition RAGING DREAMS over the horizon by the French artist Baptiste Debombourg.

Debombourg has received international acclaim for his monumental installations. Waves of broken glass breaking into and flooding rooms and structures, taking over and transforming buildings and areas. The work can be experienced as both threatening and beautiful as the artist both destroys and rebuilds. The broken and reconstructed material conveys many stories and is often interpreted as a critique of the world we live in – of consumerism or a world in the process of falling apart.

In S12’s Gallery Baptiste Debombourg has made a new installation– Raging Dreams where the energy and power of dreams is a central theme, and where the main material is laminated glass. Debombourg does work with a variety of materials and techniques, but prefers to use materials we are surrounded with in our daily life. In this installation, the remodeled sheets of broken laminated glass, remind us of the destructive abilities of natural forces, as they take over the the gallery, parallel with the silhouette horizon in the background. Through his unique and eye catching artwork he makes the viewer experience his/hers surroundings in a new and unexpected way.


Baptiste Debombourg is an innovative artist who pushes boundaries, explores various media and collaborates with artists from other fields, be it artists, architects or fashion designers. He lives and works in Paris. Debombourg has studied sculpture at Ecole Nationale des Beaux-Arts in Lyon and did his post-graduate work at Ecole Nationale Supérieure des Beaux-Arts in Paris. In France he is one of the most outstanding artists of his generation with numerous public presentations at home and abroad to his merit. He has built installations in cities such as Paris, Strasbourgh, Miami, Québec and Sarajevo, and will in May ´17 present a new public installation in Le Havre on the occasion of the city’s 500th anniversary.

EXHIBITION: Battle Cry by Emma Woffenden

invitasjon Battle Cry

31.03.17- 07.05.17 – Vernissage Friday 31st of March at 7 pm.

Welcome to the opening of the exhibition “Battle Cry” by Emma Woffenden – one of Britain’s leading and most innovative glass artists. With her unconventional approach to the material she has paved the way for a generation of artists working in conceptual glass. This is the first time Woffenden is showing her work in Norway.

Using a wide range of complex glass and mixed media techniques Woffenden investigates the more intangible conditions of existence such as sensations, feelings and awareness. Her sculptures are partly abstract and at times surreal. Figures put together by different parts and materials almost remind us of a mixture between human, animal and machine. By implying incidents that have just happened or are about to unfold she opens up for questions and creates an unnerving atmosphere in her installations.

Six of the works presented are taken from the exhibition “Play-Fight”, at Masden Woo Gallery in London, and have been adapted for the new installation at S12. Together with work such as Tight Rope, On Bended Knee and Falling Hard, which were made in the last two years, the exhibition is one new work

Emma Woffenden studied glass at The Royal College of Art, London and West Surrey College of Art and Design, Farnham. Her work is represented in public international collections such as Victoria & Albert Museum, Ernsting Glass Museum, Ebeltoft Glass Museum and The National Museum of Scotland. Her award-winning design for Transglass can also be found in the collections of Corning Museum of Glass and Museum of Modern Art (MOMA).  From 2013-16 Woffenden was the Artistic Director for the North Lands Creative Glass in Scotland, an important international resource centre for the study and development of glass as an artform.

Anne Britt Ylvisåker will be opening the exhibition

Woffenden are giving an artist talk Saturday 1st of April at 2 pm.

Glassyke. Tre behandlingsstrategier

Björn och Peter H i hyttan
Björn Friborg at work. Photo: Hans Runesson


Welcome to the opening of “Glassyke. Tre behandlingsstrategier”
(Glass disease. Three Treatment Strategies). Friday the 17th of February at 7pm.

Glass disease makes glass turn into dust due to a chemical error in the composition. A different type of glass disease is the condition wherein many glass artists finds themselves when they start to master the art of glassblowing. It’s not easily cured, the glass is too seductive. But some find a way out:

In Ammy Olofsson’s work craft and technology meet to investigate our self-perception in various contexts. Even if she is trained as a glassmaker her technique comes secondary in her expression. The glass plays different parts and she herself plays the part of the mad scientist constructing glass sculptures that also work as computers.

Bjørn Friborg’s pieces are big and masculine, but free from cleverness, beauty and mastery. The glass bodies are black and organic and on the verge of collapse, penetrated by glass tubes. The glass has been abused and tortured by a man at war with the material.

In Simon Klenell’s work we sense decades of glass history, but unsettling twists confuses us. The cut crystal has been reheated, stretched and bent, hot glass has been added, let to flow freely over the surface. Something is out of tune, control and order but strikingly beautiful and surprising.

The exhibition is curated by Vidar Koksvik as part of his MA in curatorial practices. His project aims to direct attention to the fact that Norway does not offer an education in glass art.

The exhibition is open until March 19th
Opening hours Wednesday-Sunday 12-17


FUNN 2016


Vi har åpnet FUNN -en salgsutstilling med kunst og design fra vår egen samling. De fleste arbeidene er laget i S12 og donert til oss av kunstnere som har deltatt i vår unike gjestekunstnerordning. Her finner du alt fra skulpturer og glassbilder til drikkeglass og julekuler. Til den ekstra kreative tilbyr vi gavekort på glassblåsing.
De gode julegavene får du i S12!


Vi har åpent onsdag – søndag 12-17
Alt salg går uavkortet til driften av vårt gjestekunstnerprogram.